The Finepix X100 was a milestone for Fujifilm; a compact, rangefinder-esque camera with a large APS-C sensor and a fixed focal length fast lens designed specifically to be used with it. The X100 also introduced a revolutionary hybrid viewfinder that offered the best of optical and electronic versions. The result was a camera that enjoyed classic good looks and delivered great performance. For many, the X100 was THE enthusiast compact to get, with its blend of vintage looks, great performance, and classic rangefinder shooting style.
How does a company move forward from a success like the X100? Fujifilm's answer was to evolve the X-series. The result? The Finepix X-10.
Specifications
| Specification | Fujifilm X10 |
|---|---|
| Image Sensor |
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| Storage Media |
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| File Format (Photo) |
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| File Format (Video) |
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| Image Size |
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Lens |
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| Digital Zoom |
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| Aperture |
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| Focus Distance (from lens surface) |
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| ISO Sensitivity |
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| Exposure Control |
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| Exposure Modes |
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| Shooting Modes |
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| Image Stabiliser |
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| Face Detection |
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| Exposure Compensation |
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| Shutter Speed |
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| Continuous Shooting |
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| Auto Bracketing |
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| Focus |
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| White Balance |
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| Self-Timer |
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| Flash |
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| Flash Modes |
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| Hotshoe |
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| Viewfinder |
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| LCD Monitor |
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| Movie Recording |
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| Other functions |
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| Terminal |
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| Power Supply |
|
| Dimensions |
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| Weight |
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| Operating Tempurature |
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| Operating Humidity |
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| Battery Life |
|
Build Quality and Handling
Coming from the X100, the most apparent difference with the X10 is its dimunitive size. Despite that, the camera is extremely well-built. There is no flex in the camera body, and buttons and dials feel extremely precise.
Taking the cake is the X10's zoom lens, which unlike most compact cameras has a direct mechanical zoom instead of an electronic fly-by-wire zoom. This makes the X10 the most precise and responsive zoom in its class. Of note is how the power on-off switch has been integrated into the lens; 'zooming' the lens from the 'off' position to it's widest 28mm setting turns the camera on, turning that natural motion into a functional one in terms of camera operation.
One aspect of the X10 that we were pleasantly surprised with was its shutter sound. More specifically, it's lack thereof! Shooting is virtually silent with the X10. Indeed, one colleague described it as 'dropping a needle on the floor'. Together with the X10's dimunitive size and discreet looks, the X10 is very well suited for street shooting (or any other form of photography where discretion is paramount).
The X10 also features a tiny pop-up flash with a range of up to 7m at ISO 800. Useful for fill flash, but unfortunately not powerful enough for much else.
Shooting Style
Shooting with the X10 is a bit of a mixed bag; it feels like a hybrid between a typical compact camera and a classic rangefinder, with some professional features thrown in. Next to its mode dial you find the shutter button, which looks and feels like it was lifted straight off a 1980s camera. As in the X100, exposure compensation gets its own dedicated dial as well.
Despite all these precise feeling controls, the default shooting method with the X10 is like that of a typical compact camera - using the LCD minotor to frame and focus. An optical viewfinder is built-in, but unlike the X100 it's not a hybrid viewfinder; it zooms together with the lens, allowing for framing in low-light situations where the screen would be less useful, but has no information displayed on it. No exposure information, not even focus points.
One style of shooting that the X10 excels in, however, is shooting from the hip. With it's near-silent shutter and small size, one can shoot from the hip and have subjects have no idea that they are being photographed.
Noise Performance
To test the sensor's performance, we put the X10 through our usual noise testing setup. The above image was shot at increasing ISO sensitivities while maintaining equivalent exposures. 100% crops of JPEGs straight out of camera are then compared. To view the full size comparison, click through the chart below.
The X10 performs well in our noise tests despite it's small sensor; ISO800 has some noise if you pixel peep, but it looks like film grain rather than digital noise. Noise becomes more noticeable at ISO 1600, but images produced are still perfectly useable. At ISO 3200 noise is apparent, and some detail is lost, but images are still suitable for web/on-screen use. ISOs 6400 and 12800 are very noise and lose significant amounts of detail, and are possibly pushing the small 2/3" sensor to its limits.
Conclusion
The X10 could possibly be the best compact camera for street photography; it's small, discreet, and silent, with excellent image quality despite it's small 2/3" sensor. Fuji fans will be delighted by it's built-in film simulation modes, a throwback (along with its design) to the days of film rangefinders. Solidly-built despite it's petite stature, it'll go anywhere and everywhere with you, helping you capture life as it unravels in front of your eyes.
Sample Gallery
All images are straight-out-of-camera JPEGs, with no processing applied except resizing for web.
7.1mm, f/2.0, 1/680s, ISO500
7.1mm, f/2.0, 1/30s, ISO500
7.1mm, f/9.0, 1/15s, ISO250
23.7mm, f/5.0, 1/280s, ISO200
13.2mm, f/2.5, 1/17s, ISO800


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